As Nike Air Max 2012 an actor, Kapoor was a leading man who played poets and misfits and lovers. With the actress Nargis, he made up one of Hindi movies’ great romantic couples. And he Nike Air Max 90 could be comic too, as in “Shree 420,” in which his everyman tramp is not above the old slipping-on-a-banana-peel gag. (No one is spared: Nargis takes a tumble too.) As a Nike Air Max 87 director and producer, eventually with his own studio, Kapoor lived the auteur’s Air Max 2012 Australia dream. In a mostly Cheap Air Max 2012 formulaic and conservative industry, he made inventive, personal films that were entertaining and accessible but also something more. Socially conscious and Socialist-inclined with nation-building themes, they resonated in — and maybe even helped to define — a newly independent India busy inventing itself. For those who have never seen a Hindi movie or are Air Max 2012 curious about Kapoor, the Museum of Nike Air Max 90 Premium Modern Art’s well-chosen eight-film series Raj Kapoor and the Golden Age of Indian Cinema, opening on Friday, is an excellent place to start, focusing mainly on Kapoor’s heyday, the late 1940s to ’50s. And for Nike Air Max 95 those already familiar with Kapoor, the series offers a rare opportunity to see his films as they should be seen: on the big screen, in new 35-millimeter prints.